Unreal Estate

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ICYMI, the Academy Award nominations came out this past Thursday. So first of all, I have to make some predictions.  As I had forecasted, my ex boyfriend Benedict Cumberbatch was nominated for Best Actor in The Imitation Game.  However it pains me to say it, he will NOT win the Oscar.

I think the battle will come down to Eddie Redmayne as Stephen Hawking in The Theory of Everything and Michael Keaton in my favorite movie of the year, Birdman.

Keaton’s was a bravura performance and I saw saw him get rewarded for it at the Golden Globes.  (And terrific though Redmayne’s acting was, didn’t Daniel Day Lewis do the terribly-impaired genius first in My Left Foot?)

I’m voting American.  Go Keaton!

Best Actress?  This year we have a French actress, two Brits and two ladies born in the USA.  But I think this category’s winner is easy to pick.

It’s Julianne Moore in Still Alice.  Great performance, and she’s been nominated five times already.  Very important in the behind-the-scenes Hollywood maneuvering/campaigning.  It’s her turn, folks.

Best Supporting Actor?  As much as I would like to give it to Edward Norton, I have to say it’s going to go to J.K. Simmons.  This wonderful, old school character actor blew me away in Juno.  His performance as the low key, ironic, supportive father was dead on. Haven’t seen Whiplash yet, but if he’s half as good, he should get the Little Gold Man.

(Btw, if he wins, he could be the first Farmer’s Insurance spokesperson to win one.)

Best Supporting Actress is going to be Patricia Arquette in Boyhood.  All the buzz tells me so.

Best Picture?  Me:  Birdman.  No contest.  Voting Members of the Academy of Motion Picture Arts and Sciences:  Boyhood.  I think they’ll want to reward the mastermind, Richard Linklater, for perseverance.  And for employing the same actors for twelve years.

Best Director?  This really is the cliff-hanger.  Two directors absolutely broke the mold this year- Linklater and Alejandro Gonzalez Iñàrittu.  I’m leaning towards Linklater.

Okay, the crystal ball portion of the post is over.  But let’s stay in a cinematic frame of mind, shall we?

And go house-hunting.

Although Fate has allowed me to have lived in some very beautiful houses, I still hanker after some domiciles that exist only on celluloid.

Here are some dream houses that dwell in the eye of the set designer. But you can hand me the virtual deed to any of these babies any time.

Let’s start in California.  I wouldn’t want to be poor tormented her, but I’d live in Mrs. Evelyn Mulwray’s Chinatown hacienda mañana.

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Although this casa linda is actually in Pasadena, it’s a perfect period stand in for Noah Cross’s cross (and who can blame her?) little girl.

Now let’s file a flight plan and take our G-5 straight to New York.  I sure do like that media tycoon William Parrish’s penthouse in Meet Joe Black. Anthony Hopkins may not know Death when he first sees him, but boy does he have an eye for a great interior designer.

And a view.

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The penthouse at the Pierre doubled for the Parrish mansion in the sky. Breathtaking, but what I really envy is his library.

Widow’s walk, shelves lined with vellum and calf-bound first signed editions.  For me, the library is the most important feature in any house. You can keep Brad Pitt- although he never looked better.

I’ll take the apartment any day.

Now I’m going to grab the Concord (this post defies all laws of time, space and reality.  It’s strictly wishful thinking, so I’ll take an SST if I want to.) and cross the pond.  Hmmm.  Where do I want a fabulous European vacation villa?

I think I’m going to have to vote with the Riviera.

More specifically, John Robie’s spectacular hill top hideaway in To Catch A Thief.

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True, it was bought by ill-gotten gains.  But in this real estate case, crime certainly paid.  Handsomely.  All that Côte d’Azure glory- and the fabled Hôtel Du Cap just a diamond’s throw away.

But one can’t spend all one’s time sunbathing around the Eden Roc. You know how I like to ski.  So next winter I’ll need to helicopter over the Dolomites to Cortina d’Ampezzo.

There I’ll cozy up for some champagne and après-ski in the chalet from The Pink Panther.

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Oh, and while we’re at it, I’ll take Yves St. Laurent’s couture wardrobe for Madame Clouseau, too. Classics never go out of fashion.  All the clothes are still picture-perfect.

But I can’t be an ex pat all my life.  The lure of my home country is too much for me to resist.

When I’m tired of all this European decadence, just give me some good old Boston domestic architecture.

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In case you don’t recognize it, that’s Mt.Vernon Street in posh Beacon Hill.

And that’s Thomas Crown’s town house.

I’m done with my shopping spree.  Time to be a homebody.  Think I’ll curl up with a copy of Architectural Digest.

Or maybe just play a little chess….

There’s no place like home.

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12 Responses to Unreal Estate

  1. Ellen, that sure was a whirlwind tour. The scene from “The Thomas Crown Affair” puts a new meaning to the phrase “the check is in the male.” I wonder whether the house rules McQueen and Dunaway were playing under included “touch move.”

  2. Gary W says:

    Great, fun blog Ellen. Being married to a member of the Director’s Guild gets us copies of all the films so it’s easy to get knowledgeable from my recliner. I’m making no predictions but did want to weigh in on homes hence my response. My tastes are comparatively simple; Give me Charley (Sheen) Harper’s Malibu digs (Kutcher to me is strictly an interloper). I still watch the reruns mostly for the house/beach shots… my kinda place.

    • Ellen Ross says:

      Thanks, One Chicago Man. So you get screeners, huh? Sweet. As for TV houses, hmmm. I think I’ll go with the Clampett’s Beverly Hills shack right now. Sure could use a dip in their ce-ment pond.

  3. Michael Shindler says:

    Is it mere coincidence that two of your favorite abodes were homes in which Faye Dunaway was the femme fatale? By the way, she never looked better in her career than in The Thomas Crown Affair.

    Of course, I have seen none of the nominated films for the 2015 Oscars (other than Into The Woods, garnering Meryl Streep her mandatory (isn’t it?) nomination), so I can’t predict.

    However, in the category, Best House, this city boy selects . . . The Pierre.

    • Ellen Ross says:

      I hadn’t thought about it, Michael, but no, I don’t think it was a coincidence. Ms. Dunaway was so hot in the sixties after Bonnie and Clyde that she probably got first crack at all the great scripts. That era’s movies were just fabulous. A real Golden Age. As for that Pierre penthouse. Good choice. So swanky. (And probably the most expensive piece of real estate of the bunch,too.) Thanks, buddy.

      • Michael Shindler says:

        By the way, Sinatra’s apartment in “Come Blow Your Horn” was also spectacular. I remember seeing that as a youngster and saying, “If only . . .” even then.

  4. Mitchell Klein says:

    The chess scene in TTCA is the most erotic 6
    minutes in movies with no clothes taken off and no words spoken. Your move ER⛪️

    • Ellen Ross says:

      I agree. But I also nominate the “dining” scene in Tom Jones. Very lusty and not a word was spoken or clothing removed.

  5. Dicky says:

    So I had never seen any Faye D movies as a kid until Network. I recall everyone talking about how sexy she is. I was too young to really appreciate the sexuality of her roll in the hay w William Holden in that movie. Although it mad me feel a little creeped out and maybe a little dirty. But now I understand where all the buzz came from. Hot scene. Hot Faye. As for your real estate tour, I’d take the house that is free and clear of mortgage debt. That’s my favorite.

    • Ellen Ross says:

      None of these properties has a mortgage. All their owners are too rich to deal with mundane stuff like that. Choose again. And thanks, Dicky. Glad you got to see what all the shouting was about.

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